EL GRECO

To his contemporaries in late 16th century Venice, El Greco (1541-1614) was a contrary fellow, an innate artist blessed with extraordinary talent, but stubborn in the pursuit of his own path. Throughout his career, as he progressed from Crete to Venice, to Rome and ultimately Toledo, Spain, "The Greek" stood apart from his peers, merging different Western art traditions to create a unique pictorial language. El Greco's single-minded style rejected naturalism and rejected accessibility. Works such as The Disrobing of Christ (1577-79), The Burial of the Count of Orgaz (1586-88), and The Vision of St John (1608-14) reveal elongated, twisted figures, unreal colours and an experimental rendering of space. Frequently regarded with suspicion and criticism during his lifetime, El Greco was revived by a troop of ardent modern admirers, including Pablo Picasso, Roger Fry and Der Blaue Reiter pioneer Franz Marc. This essential introduction from Taschen explores the influences and the ingredients of El Greco's radical and singular vision, from the symbolic world of Byzantine icons and the humanistic values of the Renaissance to the nascent beginnings of conceptual practice. Contains a detailed chronological summary of the life and oeuvre of the artist, covering his historical importance, a concise biography and approximately 100 illustrations in colour with explanatory captions. 21 x 26cm, 96 pages.