Five Doctor Who Themed Greetings cards - bold black outlines of the iconic characters - dark blue TARDIS Police Box, Cyberman with burnt orange background, Weeping Angel with yellow background, Sonic screwdriver with maroon background, and good old K9 the first digital dog with green background. Blank Inside for any message, these really are beautifully designed and excellent quality, and you will want several sets. BBC branded, the pack comes with five white envelopes. 16.6 x 13cm.

Welcome to Trotters Independent Trading Company! The world's favourite family board game brings you from Paris to New York to Peckham in this exciting edition of Only Fools and Horses Monopoly. Choose your favourite bespoke token playing piece, tour your favourite Only Fools' episodes and become the best trader in South London. Advance to Miami Twice, Miracle of Peckham, or even Heroes and Villains - will you owe rent or reap the rewards? Build your bespoke houses and hotels and trade your way to success. The Fast-Dealing Property Trading Game is fun for the whole family. Relive your favourite moments as Britain's best loved sitcom comes to life as we travel in the footsteps of Del, Rodney and Uncle Albert. Move from series to series, remembering their services as chandelier cleaners, Del misjudging the bar in Yuppie Love and the boys attempting to sell bottled water as Peckham Spring Water - and not forgetting Christmas adventures and when they finally make their millions when they discover the 1774 Harrison watch. With bespoke token playing pieces including of course the three wheeler but not in yellow as all six tokens are silver. Cushty! Set comprises board game, 28 title deed cards, 16 chance cards, 16 community chest cards, one pack of monopoly money, 32 tower blocks, 12 pubs, two dice and instructions together with the six silver board game pieces. Lovely jubbly! Number of players: 2+, boxed 67.8 x 40cm.

A revelatory memoir by the rock icon and legendary guitarist Peter Frampton. His monumental album Frampton Comes Alive! spawned three Top 20 singles and sold eight million copies the year it was released and more than 17 million to date. Frampton was first the lead singer and guitarist of The Herd and then as co-founder along with Steve Marriott of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British 1960s musicians with close ties to the Rolling Stones, the Beatles and The Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By the age of 22, he was touring incessantly and finding new sounds with the talk box which would become his signature guitar effect. Frampton remembers his enduring friendship with David Bowie, growing up as classmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour. He shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King and members of Pearl Jam and reveals the curse and blessing of becoming the cover boy he never wanted to be, his overcoming substance abuse, and how he has continued to play and pour his heart out into his music despite an inflammatory muscle disease and his retirement from the road. 341pp, photos.

With a legendary career encompassing Broadway and London stages, cinema, television, concert tours, recordings, directing assignments and the world of children's publishing, in 2000 Julie Andrews was bestowed with the title of Dame Commander of the British Empire for her lifetime achievements in the arts and humanities. She was married to film director Blake Edwards for 41 years and between them the couple had five children. Told with her trademark charm and candour, Julie Andrews? memoir begins with her arrival in Hollywood to make her screen debut in Walt Disney's Mary Poppins, followed closely by The Sound of Music. The result was an astonishing rise to fame as those now-classic films brought her almost overnight success. She reveals behind-the-scenes details and reflections on her impressive body of work, collaborations with giants of cinema like James Garner, Omar Sharif and her giggle-buddy Dudley Moore. She also unveils her personal story of adjusting to an often daunting world, a new husband addicted to painkillers, impulsively buying a yacht and overspending, dealing with unimaginable public scrutiny, being a new mother, embracing two stepchildren, adopting two more children and being in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films including 10, S.O.B, and Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Fascinating to read are her accounts of The Tamarind Seed, Hawaii, her life in the USA, finding apartments every time she filmed in the UK, family problems and a whole series of therapists. 340 desirable US roughcut pages, photos.

With his gravity-defying quiff, outstretched arms, shredded shirt, Dr Marten boots, jeans and bare torso, striding across the stage, the good looking young Morrissey certainly made an entrance onto the music scene. Unapologetically a photography book, Cummins' first photographed Morrissey in 1983 and the book covers the timespan from that year through to 1994, a time during which Morrissey became a prominent cultural figure and The Smiths his band had something different to say and special to offer. Morrissey always collaborated with his photographer fully and would come to the shoots full of ideas and they certainly show the excitement and chaos. There is a text about the portraiture alongside the studio shots of Morrissey, explaining what makes an articulate portrait and sharing some stories of working directly with the musician. The book includes photographs from tours at venues in Dublin and Cologne, Japan and the United States as well as the UK. In a final essay by Gail Crowther the significance of fans using their bodies as sites of devotion accompanies photos of Morrisey-inspired tattoos. Crouching arms outstretched with his reflection in a pond, with his bandmates, lounging artistically beside the same pond, posing under the sign THE QUEEN IS DEAD, at The Smiths Convention September 1988 next to the tour bus, and musing 'The only way to kill death is through photography' as Jean Cocteau said. Fans including grey haired grannies, young teenagers rushing up to hug their idol, roughly half of the images are colour and half artistic black and white. 256pp, 20.3 x 27.3cm.

Funny, furious and foul-mouthed just as you'd expect, this Sunday Times bestselling autobiography is Billy Connolly's raucous run through his life. After 50 years of belly laughs, energy and outrage, and somewhat baggy pants and very long hair, Billy Connolly announced his retirement from live stand up comedy in December 2018. When he first started out in the late 60s he played banjo in the folk clubs of Scotland and between songs would improvise a bit, telling anecdotes from the Clyde shipyard where he had worked. He learned what audiences found funny from his own brilliant mimes to the power of speaking irreverently about politics or explicitly about sex, and soon the monologues got longer and the songs shorter. He never wrote scripts and created comedy freshly on stage in the presence of a live audience. Always with a beautiful sense of the absurd he riffed on his family, hecklers, swimming in the North Sea or naked bungee jumping, and he got away with it, his comedy spanning generations and different social tribes. 330pp.

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Gloucester Crescent is a curving, leafy street, tucked between Camden Town and Primrose Hill, filled with the sound of clacking typewriters and children playing. Unremarkable in many ways unless you notice the lady in the van outside one house and the familiar-looking famous residents crossing the road. The son of Jonathan Miller writes his memoir, written the eyes of a growing child, the story of a very particular family and their circle of brilliant, idealistic and intellectual friends in the London of the 1960s, 70s and 80s. William explores the back gardens of homes of his famous neighbours, attends dramatic rehearsals with his dad, fails exams and is bullied at school, gets drugs from the philosopher A. J. Ayer's wife, and tries to watch the moon landing with Alan Bennett and a room full of writers. But against this backdrop of lively anecdote and hitherto-unseen domestic detail, William struggles at school and at home and his at times heart-breaking memoir is about how we grow up and move on from our childhoods, and what happens when we come back. A funny, tender and moving story of a young boy trying to find his own identity, a memoir about love, life, art and whole of life. Wonderful. 336pp, paperback, photos and other illus.

The definitive portrait with unseen photographs by iconic photographer Terry O'Neill, this is like gazing through a window at the most extraordinary and exciting moments in Elton John's life complete with the madness and style. O'Neill worked for many years and took more than 5,000 photographs of Elton John from intimate back stage shots to huge stadium concerts. See Elton laden with packages leaving the Cartier shop for his Rolls Royce, during a soundcheck at the huge Dodge Stadium in Los Angeles where he truly did rock the world and had a football knockabout during rehearsals, under a huge fluffy rug on a bed reading Esquire and Penthouse magazines, wearing crazy glasses for a photo shoot aboard a plane, working with Gus Dudgeon at Caribou Ranch Recording Studio 1975, sharing a breakfast table with his white cat, signing his Captain Fantastic albums while watching TV at home, multifunctioning riding his stationary bicycle and taking phone calls in the bathroom, in sequin costumes, wearing designer labels, doing his trademark famous jump with hands still on the piano keyboard, with his long term collaborator Bernie Taupin, at home with his dogs in Windsor, dancing with Kiki Dee in 1976 when they released their classic duet, posing with his likeness in Madam Tussauds, with Diana Ross hosting the Rock Music Awards in 1975, posing with many famous names, behind the scenes at Watford Football Club, with his mother and grandmother and posing on locations such as the Palais Garnier Opera House in Paris. Elton John clearly loves the limelight! Truly a superb gallery, colour and atmospheric black and white, 256pp, 20.8 x 26cm.
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The music journalist has covered weird, rare and collectable records for Record Collector magazine and by mixing lo-fi charm into hi-fi science Scott's book is 'skipping with real analogue delight'. It is the story of recorded sound - the technological developments, the people that made them happen, and the impact they had on society, from the earliest inventions via the phonograph to LPs, EPs and the recent resurgence of vinyl. While Thomas Edison's phonograph represented an important turning point in the story of recorded sound, it came only after decades of invention, tinkering and experimentation. The book looks at the origins of record-playing machinery and the development of the first commercial discs. We learn about the rise of the LP record, the drama of competing speed and format wars, and the fall of the 7-inch, the story of a format repeatedly written off, threats from radio, tape, compact disc and download, vinyl only seems to endure and come back stronger. The story starts with grooves in tin foil in a workshop in New Jersey in 1877 and sees records evolving and blossoming to become a cornerstone for musical culture worldwide, and even into outer space. 320pp.